top of page

Renowned as an accomplished artist and scholar, Mekawei emerges as a vanguard of innovative sonic expression, seamlessly melding the pulsating cadence of urban environments with the foundational architecture that underpins cities. Her creative voyage, deeply steeped in the realms of architectural philosophy, social historiography, and philosophical literature, begets an intricate tapestry of auditory vignettes seamlessly transposed into visual incarnations.

Mekawei's oeuvre transcends traditional artistic paradigms, as she orchestrates an intriguing transmutation: the metamorphosis of auditory dialogues into visual narratives. This unique alchemy unfurls a paradigm where sound becomes both the vessel and the voyage, transmuting the auditory into the ocular. This synesthetic metamorphosis shapes the essence of her compositional ethos, harnessing sophisticated techniques to disseminate conceptual dimensions to an audience that spans the spectrum of comprehension.

At the core of Mekawei's artistic philosophy lies an interplay of time and space – a bridge arching between antiquity and modernity. Her creative practice is inherently research-driven, a humble homage to history that deftly interlaces the threads of mythic antiquity with the sinews of contemporary technology. Central to her pursuits is a forthcoming sonic opus, an auditory tapestry woven from the loom of Sufi philosophy's poetic narratives and the methodological wisdom encapsulated within the Book of the Dead.

The crucible of Mekawei's concepts draws inspiration from a rich repository of social philosophies, infusing her creations with a multi-dimensional resonance. Her artistic journey unfolds not as isolated fragments but as a continuous continuum, each creation serving as an inseparable chapter in a larger narrative. This serves to illuminate the intangible facets of her cultural identity and her embodiment of femininity, all within the intricate weave of a North East African societal context.

In this reimagined vista, Mekawei's creative pilgrimage stands as a testament to her innate ability to traverse the precipice of sensory experiences. With every composition, she constructs a bridge between the seen and the heard, allowing audiences to traverse dimensions and epochs, evoking both visceral and cognitive contemplation. Mekawei’s legacy unfurls not merely as a solitary creator, but as a custodian of a sonic dialectic that transcends boundaries and temporality, resonating with the very essence of the human sensorium.

bottom of page